- #Using more then 1 mic source with camerafi live full
- #Using more then 1 mic source with camerafi live free
In my view, it is more natural for drums to be in stereo for two reasons:Ģ. How many mics do YOU typically use to record drums? And have you ever tried just using one? I’m of the mind that going back to a more focused and simpler setup and approach can be both liberating and sonically satisfying. More plugins, more tracks, more mics, etc. In recent years we’ve veered to the “more is more” approach.
#Using more then 1 mic source with camerafi live full
And I’m here to tell you that you can do an entire full band production with that thing!Īnd two, I believe there is much to be gained by focusing on simplicity, minimalism, and an overall “less is more” approach to recording.
![using more then 1 mic source with camerafi live using more then 1 mic source with camerafi live](https://appcrood.com/uploads/images/apps/camerafi-live-image-10.jpg)
Well for one, if you’re a band or singer/songwriter that is getting into your first home studio setup, you might only be able to afford one mic. Why am I harping on this one mic drum recording thing? Seems like a good dream if you ask me! Give One Mic Drums A Chance This was how mixing went many years ago – fast and to the point. Get a good sound (fix any EQ problems, give it some more smack with a compressor, and maybe use a touch of reverb to widen it up) and then move on to the rest of your mix. This saves a ton of time and brain power. With no phase issues to work through, and no individual drum mics to process, you simply have to take your one drum track and wield it the best you can. The fourth and final reason recording drums with one microphone is so powerful is that when it comes time to mix, things go super quick. Now, obviously the one mic option limits your tonal balance (you can’t get the sound of the inside of a kick AND above the cymbals) but it also forces you to make quick compromises allowing you to land on a great sound faster. Each time you hear what is good and what is missing you only have one mic to adjust to find that balance. Too little kick? Find a better position and angle to “see” the kick more. Too much cymbals? Move them closer to the other drums. Put the mic somewhere, listen back, and assess what you hear. You have to balance the overheads to the close mics to maybe even the room mics – all to get that perfect picture of the kit.īut with one microphone balancing becomes super simple. When using multiple mics on a drum kit, it takes a lot of time and effort to get just the right balance. What your ear hears, the microphone hears (tonally maybe not quiet the same – but we’ll touch on that next). If you only have one microphone, by putting it anywhere near the kit, you can’t help but get a punchy sound because the drums are by their nature, punchy. The other reason is that we can overthink mic placement and have very un-natural sounds (maybe too close to a drum) that just doesn’t sound like what we all know drums to sound like in real life. What sounds good to us in the room can get cancelled out with multiple mics. Why is that?Ī huge reason is the above problem of phase cancellation.
![using more then 1 mic source with camerafi live using more then 1 mic source with camerafi live](https://1.bp.blogspot.com/-PdmGOO3MwPM/X0Si_S6roKI/AAAAAAAAHfc/MMPQWIgobwITyS0aY7v_I0HnPKGTEw9ggCLcBGAsYHQ/s640/200824_%EC%9B%B9%EC%98%A4%EB%B2%84%EB%A0%88%EC%9D%B4_EN.jpg)
![using more then 1 mic source with camerafi live using more then 1 mic source with camerafi live](https://cdn.shopify.com/s/files/1/1339/6367/articles/Copy_of_Aqua_Background_Store_Header_2_-min_95120e15-36df-4f8c-82b7-82e0ce8ece68_400x.png)
And yet many of our attempts of home drum recording with 6+ mics leads to a very NON punchy sound. An Instantly Punchy Soundĭrums are inherently punchy. That is a wonderful thing because it saves time, hassle, and it works as a hack – a guarantee of no phase problems, no matter where you put the mic.
#Using more then 1 mic source with camerafi live free
Obviously, with careful consideration of mic placement and some strategic polarity inversion, one can get a relatively phase free drum recording with multiple mics (I’m not trying to scare you away from using more mics), but the simple truth of the matter is that a drum recording that involves only a single microphone will by definition have absolutely NO phase cancellation whatsoever. Phase cancellation is really the problem – and it means a chunk of your sound waves are being cancelled out, leaving you with a thin and un-fulfilling sound. Via eyeliam Flickr Absolutely Zero Phase Issuesĭid you know that anytime you have more than one microphone capturing a single source (acoustic guitar, piano, drum kit) you introduce potential phase issues? Today I want to share with you four reasons why recording with the fewest mics possible (i.e. In fact, a strong case can be made that the fewer mics you involve the likelihood of your recording sounding better is higher. Just because many people use a lot of microphones to record a drum kit doesn’t mean it’s the only (or best) way to do it.